#Adobe premiere transition squish series
#Adobe premiere transition squish tv

Told completely in a stream-of-consciousness style, the final episode “ended” without revealing an actual ending to the story, generating massive controversy on the internet. Budget difficulties, parents’ protest against the show’s graphic imagery, and Anno’s newfound interest in Freudian psychoanalysis all pushed the closing episodes’ visual direction from mainstream to experimental, filled with abstract animation, line drawings, flashbacks, and photographs.

#Adobe premiere transition squish series

If great storytelling made Evangelion popular among anime fans, it would soon become a fin-de-siècle social phenomenon, as a series of real-life episodes unfolded in the franchise’s production process. The shadowy cabal SEELE’s logotype is probably the only occurrence of a chancery serif (Bitstream’s Cataneo) in Evangelion. 25' (“Love is Destructive”) appears to feature Matisse EB’s Latin glyphs. A horizontally squeezed Times is used in 12, 26 (“Take Care of Yourself”), and 26' (“I Need You”). The lowercase exhibits aggressively shortened descenders, a common feature implemented in Japanese fonts to fit Latin glyphs into the character bounding box. The same seriffed font (or a similar one) is used in all caps for the titles in Episodes 5, 6, 7, and 23 and in sentence case in Episodes 9, 11, 15, and 25.

While most titles use Helvetica, the words “NEON GENESIS EVANGELION” are set in one of the bootleg versions of Century or Century Schoolbook that come with numerous Japanese fonts. The English title cards feature a number of different typefaces, often tightly tracked and mechanically compressed. These are not direct translations, but rather alternatives or subtitles, often featuring biblical or philosophical references that might be difficult to integrate using Japanese. Instead of letting Western distributors translate episode titles themselves, the Evangelion staff decided to offer their own English episode titles. After flipping through Fontworks’ specimen catalog, he personally selected the extra-bold (EB) weight of Matisse (マティス), a Mincho-style serif family. Although sci-fi anime tended to use either sans serifs or hand lettering that mimicked sans serifs in 1995, Anno decided to buck that trend, choosing a display serif for stronger visual impact. Subcontractors usually painted anything type-related in an anime by hand, so it was a novel idea at the time for a director to use desktop typesetting to exert typographic control. Matisse EB and the Original EvangelionĮvangelion was among the first anime to create a consistent typographic identity across its visual universe, from title cards to NERV’s user interfaces. Many of its visual motifs became cultural lexicons, including its identity typeface: Matisse EB. Its sustained popularity through the years spawned a plethora of spinoff mangas, novel adaptations, games, advertisement tie-ins, and even pachinko gambling machines, leading it to permeate Japanese culture and eventually become a worldwide sensation. Set in the postapocalyptic fortified city Tokyo-3, the series revolves around Shinji Ikari, a teenage boy recruited by his estranged father into a shadowy paramilitary organization known as NERV, for which he and other teenagers must pilot giant biomachines (“Evangelions”) to defeat incoming monsters (“Angels”) who threaten another apocalypse (“Impact”).Īfter starting out as a typical mechanical-robot (“mecha”) anime, Evangelion gradually evolved into an existentialist deconstruction of its own genre, immediately winning critical acclaim.

#Adobe premiere transition squish tv

Try a search!Ĭreated and directed by Hideaki Anno, Neon Genesis Evangelion (新世紀エヴァンゲリオン, often abbreviated as NGE or simply EVA) is a Japanese media franchise consisting of four main parts: a twenty-six-episode TV series (1995), two sets of film adaptations (19–), and a manga (1995–2013). These are the most common typefaces in the database, but there are many more.Haas Inserat-Grotesk / Neue Aurora VIII (43).